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What Is Carousel? At first glance, you might think Carousel is just another flavor of photo-sharing software, but it is actually a bit more than that. Carousel is an.
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The email your invitee receives is, well, inviting. Adobe expects people to use one carousel as the full collection and others to be "working" collections not ready to be imported into the full collection yet. We didn't see a way to combine our two carousels, though. When we asked about it, Adobe confessed it's working on it.

Meanwhile, the company suggests exporting images from the working folder and then importing them into the main carousel. Five shares may sound pretty limited, but you are inviting them to do more than share. These five people can also edit any of the images in a carousel and even upload their own. So you don't want to allow a lot of people that kind of fun. It's more like hiring employees than sharing with friends.

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And you can still export to Facebook, Tumblr, Twitter, your hard disk and share via email to reach larger audiences. You can export either the original image or the edited image. Because edits are non-destructive just a recipe of changes stored in the database , your original image remains untouched.

The Actions menu in the Carousel application lets you Export Original, complete with the original Exif data. And, of course, you can export your edited image, too. Our test export lacked the MakerNotes section of the Exif header but did retain our copyright information. The free Carousel app provides access to your carousel or the one you were invited to as well as a small set of editing tools. At first we were a bit miffed that there was no Slide Show function, as in iPhoto. That couldn't have required a great deal of effort, we thought. When you first visit a carousel, it's arranged in long rows of images running off the right edge of the screen, each of which represents one date.

That's the extent of the organization in a carousel in this version of the program. No keywords, no calendar, no quick access. Open an image full screen with a click or a tap and you can swipe or click your way to the next. It's a manual slide show and without music unless you hum but it won't be unfamiliar to anyone. Tapping the full screen image or clicking on the Edit icon in the desktop version takes you to the editing controls.

There is a slight but annoying difference between the desktop application's command layout and the iOS app. Image View. But on an iPad, you can change the orientation to fill the screen. They do the same things but for some reason the design differs. You have icons you click in the desktop application that just don't appear in the iOS app.

So you have to interact with them a little differently, which we found confusing.

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Because, well, they could easily have used the same approach, it seems to us. We were also surprised to find trackpad gestures were not supported on the desktop version, despite requiring Mac OS X While Adobe envisions Carousel as a collaborative photo tool, our multiple personalities were on vacation this month, so we were limited to just one of us. But we kept busy uploading images to our main carousel, viewing them and, much to our surprise, editing them.

In fact, we can't remember having this much fun editing images. We almost wanted to capture only flawed pictures so we could play with them in Carousel. The problem is simply that if we're going to spend time editing an image, we want to use the most powerful tool handy. And on the desktop that is not Carousel. Carousel's editing functions are minimal in this version. Surprisingly, that was sufficient for a number of our first uploads. We sat down one afternoon with an iPad in our lap and went through some photos we'd taken at one of the Fingerlakes.

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All the horizons were askew the cabin owner brews his own beer so we moved through the images using the Rotate slider to fix that. It was actually kind of fun doing it with a gesture. And the grid that appears over the image made it easy to see when we'd gotten the horizon level. That, of course, led to some judicious cropping. And that was just pure fun.

We started by centering things like a long shot up a narrow dock but we found more creative crops just waiting for us to push in one side or the other of an image. You can, if you must, Compare versions before you Apply the non-destructive changes. You aren't editing pixels but creating recipes for changes to the original pixels.

Just like in, say, Lightroom. In fact, the image editing engine is lifted from Lightroom, Adobe said.

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There is a delay of some seconds as the full image data if not already cached downloads from the server for editing. But that's true of any of these cloud-based schemes. When we ran into an image that had an exposure issue, we tapped the Adjustments button and fiddled with Exposure and Contrast mainly. White Balance is pretty well handled by digital cameras but occasionally we wanted to warm something up or cool it down for effect. Mainly, though we changed Exposure and Contrast. While that was limiting, it was limiting the way haiku is limiting. This is all you can do, so do it well.

And it was almost always enough. But in the Adjustments tab, each option has a little two-way arrow icon that leads to more options. White Balance has Temperature and Tint. Exposure includes Exposure, Highlights and Shadows. Contrast offers the most fun with Contrast, Clarity and Vibrance. So you can get from haiku to sonnets with a click.

While the edits are non-destructive, we sometimes wanted to preserve the original image. So we simply used the Actions menu to duplicate it. Once we'd made our changes, we tapped the Apply button and the recipe shot up to the cloud where it was instantly applied to any other open version of the image. There is a slight delay as the data transmits but the update is seamless and prompt.

On the iPad where we did most of our editing, it was a very pleasant diversion. We could sit anywhere in the house and play with our photos. Which could become a way of life. You know, like reading or sewing after dinner.

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  • It also stores at least some of the originals. On each device. Adobe explained that on iOS devices local storage is only a cache, which automatically deletes the oldest content when "the cache starts to get big. So naturally we wanted to profile the iPad. We wanted consistent results. What's the point of adjusting exposure if it looks different on different computers? And you can profile an iPad using Datacolor's Spyder, which we've also reviewed.

    Unfortunately, only Datacolor's application actually uses the resulting profile at this time. They wanted a common set of tools that let them do what they want to achieve. And they want to be able to share that catalogue. And we wanted to make all of this as easy-to-use as possible - simple to set up and easy to use. If it's difficult, most people won't do it at all. Initially the service will only be available on Mac desktop machines or recent Apple iOS devices but other versions are coming, Quek says: 'In there will be clients for Windows and Android.

    The key thing is that it feels like you're using the same app in each environment, because essentially you are. The main distinction between the devices is the way files are added to the 'photo carousel' - they use each device's native file picker. Once an image has been added to a photo carousel, each device can apply a series of edits.